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Showing posts from December, 2012

[OffHz004] Anki Toner / Martí Guillem

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Grabación realizada por Benigno Moreno del concierto de Anki Toner y Martí Guillem en la Galería Kessler Battaglia de Valencia. Registro realizado el pasado 14 de Diciembre de 2012. Junto a la grabación del concierto, Benigno Moreno ha realizado una introducción fonográfica al ambiente sonoro previo al concierto. Off_Hz 004 Galería Kessler-Battaglia by File Under Toner + Martí Guillem _ Credits: Anki Toner: electronics, turntables Martí Guillem: Amplified objects, speakers. _ Vídeo: Damià Jordà _ Foto: Manu Marpel Foto: Manu Marpel Foto: Manu Marpel Foto: Manu Marpel

[at059] Otra Carpeta - Transparente

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Date of release:  04.12.12 Format:  FILE - MP3 Length:  27:08 min Artwork:  Audiotalaia _ DOWNLOAD FULL RELEASE (MP3) DOWNLOAD FULL RELEASE (AIFF) DOWNLOAD ARTWORK (JPG) DOWNLOAD ARTWORK (PDF) hosted at:  archive.org _ We are happy to present our first release of the year. This is Transparente by Otra Carpeta, the experimental solo project by Mexican artists Carlos Edelmiro. This improviser and composer currently living in Barcelona, presents this work in which he tries to find a balance between his improvisational facette and the more compositional one. Transparente is a short album that contain small compositions some of them already presented on the compilation [at050] Desde La Atalaia. That’s the case of Civao, the second piece of Transparente. The album also comes with a couple of collaborations with sound artists Pia Sommer and Gabriel Millán. Both collaborations, and this is interesting, are based on voice, something we find quite refreshing. As said on t...

[at058] Jean Montag - Unquiet

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Date of release: 04.12.12 Format: FILE - MP3 Length: 27:08 min Artwork: Audiotalaia _ DOWNLOAD FULL RELEASE (MP3) DOWNLOAD ARTWORK (JPG) DOWNLOAD ARTWORK (PDF) hosted at:  archive.org _ Its more or less easy to find sonic structures, textures, resonances or harmonics that “might work” while investigating on a sound experimental framework. Almost anyone, tweaking a few knobs and using the right or wrong tools, can achieve a palette, a rainbow of possibilities and certain capacity to deliver very interesting sounds. I guess that there is just need of some intuition, enthusiasm and knowing your tools. But then, when it comes the time of composing sounds, things get a bit tougher. On the compositional level aspects such as time, pace or narrative can play a major role. Those elements have the power to bring to life a certain work or just bust it into the debts of boredom. It doesn’t matter if the raw or processed material, before the composition, are splendid sonorities, if you don’t p...